“Kudumbasthan” (2025) is a Tamil film that falls within the drama and comedy subgenres. Directed by Rajeshwar Kalisamy, who also penned the script, the movie is presented by Cinemakaaran and produced by S. Vinoth Kumar. It hit theaters on March 7, 2025, with a runtime of 2 hours and 35 minutes.
Kudumbasthan 2025 Movie Overview

Movie Name | Kudumbasthan Movie |
Original Language | Tamil |
Spoken Language | Hindi |
Release Date | 7 March 2025 |
Runtime | 2 hour and 35 minutes |
Genres | Comedy Drama |
Director | Rajeshwar Kalisamy |
Producer | S. Vinoth Kumar |
Kudumbasthan 2025 Movie Screenshot



Kudumbasthan 2025 Movie Star Cast
Actor | Character |
---|---|
K. Manikandan | Naveen |
Saanve Megghana | Vennila “Nila” |
R. Sundarrajan | Palanisamy (Naveen and Anitha’s father) |
Kudassanad Kanakam | Subbulakshmi (Naveen and Anitha’s mother) |
Guru Somasundaram | Rajendran |
Muthamizh | Simson |
Jenson Dhivakar | Ameer |
Kudumbasthan 2025 Movie Trailer
Kudumbasthan 2025 Movie Review
The film has garnered largely positive feedback for its relatable portrayal of middle-class life, sharp comedy, and strong performances. Critics and audiences alike praise its first half as a “laughter riot,” filled with organic, clean humor reminiscent of classic Tamil family dramas from the ’80s and ’90s by filmmakers like K. Bhagyaraj and Visu. Manikandan’s portrayal of Naveen—a man juggling pride, responsibility, and desperation—stands out, balancing comedy and pathos effortlessly. Saanve Megghana shines as the supportive yet grounded Vennila, while Guru Somasundaram’s pompous brother-in-law adds a layer of biting humor. The ensemble, including R. Sundarrajan and Kudassanad Kanakam as Naveen’s parents, delivers quirky, memorable moments.
Reviewers highlight the film’s strength in its situational comedy—scenes like Naveen hiding his unemployment or risking capture by thugs to retrieve a rolling onion are cited as hilarious and clever. The script, co-written by Kalisamy and Prasanna Balachandran, draws from their YouTube channel Nakkalites’ sketch-comedy roots, offering a fresh yet nostalgic vibe. Emotional beats, such as Naveen talking to his unborn child, add depth, though some feel the second half dips slightly, leaning into drama over laughs and occasionally losing narrative focus. Critics note a few over-the-top characters and subplots (like the drunken friends) overstay their welcome, and the climax, while satisfying, feels rushed or overly convenient for some.